Peter Randall-Page was born in the UK in 1954 and studied sculpture at Bath Academy of Art from 1973-77.

During the past 25 years he has gained an international reputation through his sculpture drawings and prints. He has undertaken numerous large scale commissions and he has exhibited widely. His work is held in numerous public and private collections throughout the world including Japan, South Korea, Australia, USA, Eire, Germany and the Netherlands. Closer to home, a selection of his public sculptures can be found in London, Edinburgh, Manchester, Bristol and Newbury and he is represented in the permanent collections of the Tate Gallery and the British Museum amongst others.

His practice has always been informed and inspired by the study of organic form and it’s subjective impact on our emotions.

In recent years his work has become increasingly concerned with the underlying principles determining growth and the forms it produces. In his words “geometry is the theme on which nature plays her infinite variations, fundamental mathematical principle become a kind of pattern book from which nature constructs the most complex and sophisticated structures.”

In 1999, he was awarded an Honorary Doctorate of Arts from the University of Plymouth and from 2002 to 2005 was an Associate Research Fellow at Dartington College of Arts.

He was a member of the design team for the Education Resource Centre (The Core) at the Eden Project in Cornwall, influencing the overall design of the building and incorporating an enormous granite sculpture (‘ Seed ’) at it’s heart.

Recent commissions include ‘Give and Take’ in Newcastle which won the 2006 Marsh Award for Public Sculpture, ‘Mind’s Eye’ a large ceramic wall mounted piece for the Department of Psychology at Cardiff University (2006) and a commemorative sculpture for a Mohegan Chief at Southwark Cathedral (2006). Current projects include a commission for Fisher Square, Cambridge, a bridge for the gardens at Dartington Hall, Devon and a trip to Uganda to work with traditional and classical musicians on naturally occurring stone ‘gongs’ in Lake Victoria which resulted in a sculpture on Lolui Island.